Yuyuan Zatan
With the rapid development of Internet technology, watching dramas online has become one of the main forms of "brushing videos", and film producers are increasingly inclined to shoot and produce online dramas. In recent years, China has set off a "network drama craze" — — Joy of Life’s "He Lai Hua Ting" and "Daming Fenghua" and other unique online dramas of ancient costumes were broadcasted on major video platforms at the end of the year; Fan Xian, Xiao Dingquan, who has not only grown up in adversity, and Sun Ruowei, who is dignified and beautiful, are vividly interpreting gripping stories on mobile phones, tablets and other terminal devices.
The costume online drama, as its name implies, is a costume drama series released on the online platform. Behind its maturity, richness and popularity, it is inseparable from the two key elements of "network" and "ancient costume".
As an artistic variety with a long history, the difference between online drama and screen TV drama is that it can be improvised by the audience at will, and it has the advantages of being fast and convenient, so it is deeply favored by young netizens. With the development of time, there are more and more phenomena of simultaneous broadcasting of online dramas and TV stations. In recent years, the phenomenon of "backstage first" has gradually appeared, and some dramas are broadcast on the network platform first, and then purchased and broadcast by the satellite TV platform.
Of course, in addition to being fast and convenient, the biggest advantage of online drama is its interactivity and technical flow. You can send a barrage of expression packs to let viewers express their views or feelings concisely while watching the drama; The AI facial recognition function allows the audience to get the player information of the role in the play with one click; The double-speed playback function allows the audience to quickly understand the development of the plot without "skipping"; The function of "only watching Ta" helps the audience to screen out the characters and plots they want to see … …
However, costume drama has always been an important part of domestic TV dramas. Compared with almost all modern American TV dramas, costume drama, which occupies at least half of the domestic dramas, is definitely unique in China.
Looking back at the creation of costume online dramas in recent years, representative works have appeared in the dramas depicting the four dynasties of Tang, Song, Ming and Qing: The Longest Day In Chang’an not only tells the wonderful story of "defending Chang ‘an", but also shows the prosperity and beauty of the prosperous Tang Dynasty; Based on the real characters and stories in history, Daming Fenghua depicts a period of ups and downs of Daming history; "Story of Yanxi Palace" recreates the life of the Qing Dynasty … … All these details make the audience appreciate the beauty of Chinese costumes, etiquette, language and calligraphy step by step, which fully shows the connotation of Chinese classical culture and invisibly enhances our cultural self-confidence. This can be confirmed by many Hanfu fans nowadays.
For a long time before, China’s film and television media have been in the stage of imitation, and there has been a lack of well-defined expression. Nowadays, excellent online dramas are unique in creation. The pursuit of truth, goodness and beauty and the high restoration of historical atmosphere have become the new direction of exploration of costume dramas, which is conducive to the audience to learn historical wisdom and enhance aesthetic cultivation.
There are many materials that can be used in China’s 5,000-year culture. The theme of ancient costume is still an important position in the creation of online drama. Respecting historical logic, reflecting historical features and carrying forward traditional culture must be the goal that creators consciously pursue.
In fact, whether it is costume drama, modern drama or modern drama, the creative logic should be settled in real life, as Chengxiang Zhong, chairman of the Chinese Literary Critics Association, said: "We should weave stories on the basis of respecting history and tell them well from the beginning of creation ‘ China story ’ The original intention is to create historical works with realistic spirit. "
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